Notice.

   How do you do,

   Due to this year being when the centennial anniversary of the Armistice in World War I happened, there won't be an entry to "Going Twenty" for November. Instead, December will take up the next, and last, entry. On that matter, there won't be a new season for "Going Twenty" for 2019. So, sorry to disappoint anyone looking forward to a few words on Star Wars: The Phantom Menace or American Pie, both of which will turn twenty. 

   Instead, the month of November will have a few things on World War I and the ceasefire that was to bring peace (but instead was a prelude to another war). However, there will be a few other things to dissect and analyse in the months of November and December too. Until then, 

   Pie Iesu Domine dona nobis pacem.   

Going Twenty: Meet Joe Black

    How do you do, 

   [Originally, I was going to have Practical Magic be the movie for the "Going Twenty" series, but since I haven't seen it in its entirety, I decided to skip that and go to the next entry. I'll replace this one with something else in November.]

     

    Meet Joe Black might not seem Hallowe'en material since it's largely a rom-com. However, there is a good enough creepy vibe to it with the opening voice saying "yes" with Parish confronting death in it to match. The film features Sir Anthony Hopkins playing a multimillionaire named Bill Parish, president of the Parish Communications. He's set up as something like President Trump with gray hair and a slight British accent (and this guy is younger than the president). On the eve of his sixty-fifth birthday, he begins hearing voices and learns they belong to Death who wants to explore the world before taking him to the next world.
   Meet Joe Black is a re-imagining of the 1934 film Death Takes a Holiday, which in turn is based on the Italian play La Morte in Vacanza, by Albert Casella[1], while using a title structure like that of Meet John Doe. It's the second of two movies where Hopkins played opposite Brad Pitt, who takes on the title role. Though a remake, a few differences are in the character of Death. In the 1934 film, the character, played by Frederic March, wants to know why people fear him and asks a duke to be guide. In Meet Joe Black, Death is only doing this to explore what Parish speaks of with "passion, rapture, [and] obsession." Another change involves Susan. In the original story, the woman who captures Death's heart was not the Duke's daughter, but his son's sweetheart. In this one, Susan, played by Claire Forlani, is made to be Parish's younger daughter, with the older, Allison, played by Marcia Gay Harden, already married.
   There is something like Martha and Mary deal in the two daughters. We see Allison spending many of her screen time focusing mostly on her party planning for the big birthday soiree she is hosting for her father, while Susan is a bit more relaxed and keeping everything hands off. Clearly, Allison is Martha while Susan is Mary, in this action. The reason for this is more of favoritism, as revealed in Allison's talk with Parish late in the movie, with Allison clearly suffering a case of a need for her father's approval. That need basically translated into her constantly worrying about how it will turn out and rarely taking a break, even with her husband, Quince, an employee of her father, coming along. Susan, on the other hand, is basically dotted on by Parish who wonders if she had found the right man, even though she is clearly in a relationship with Drew, another employee. For the most part, Susan plays up the character of the woman who is over thirty, very attractive, more focused on career instead of settling down, yet hasn't experienced true love, and then suddenly gets it when a good looking man steps in. At the same time, she's almost a daddy's girl, and the one time Parish shouts at her is enough to make her sad and avoid him.

   One thing that may not be known to most is there is an actual Joe Black. The real Joe Black was a baseball player, serving as pitcher for the Brooklyn Dodgers, before dying a few years ago. Unlike Brad Pitt's alias in the movie, the real Joe Black wasn't Death in disguise. Not only that, the real man didn't even resemble Brad Pitt in any shape or form (look for yourself in this wikipedia article). The one reference to this is brought up by Quince in the first dinner scene, upon learning Joe's name.
    Considering how black is associated with death, there is a fair amount of it in the movie. Joe Black has it in his name, but there is also his suit and tux, as well as the swim suit and the dress Susan wears. Remarkably, Pitt's character doesn't get to be black either, but instead we get the white skin, blond hair, and blue eyed Joe Black, almost like something from Nazi propaganda. I am positive they went with Brad Pitt because he could project an expression of innocence if he wanted to, as if to match the way he interacts with the world. Really says something if they could only find blonds who show that more easily than they could find a dark skinned sort who can project the same image.
   Another thing to note is how secular the movie is. Joe Black plays off as Death, yet never once do we hear anything of God. Parish is never shown praying or making amends with God on anything; he only speaks God's name when cussing or swearing. There is a moment with the Jamaican woman that suggests some old religion, but it's never done too deep. To me, it's inconsistent to have Death as a spirit and yet not bring up any other spirits or deities into the mix. The movie is also a sign have how rotten some people in Hollywood are given that they can't find anyway of saying the word "God" unless in anger or as a swear word.
   On a less offensive note, there is no violence in the movie, not even a fight. The characters just talk and talk. There is a sex scene, done between Susan and Joe, but the scene is done very artistically. For one, we don't get any nudity -- everything is shot from the waist up with Pitt and the same with Forlani's back (ever her breasts get obscured by Pitt's arm in one shot). Instead, it mostly focuses on the faces and their reactions to the pleasure, which in a way makes much more erotic than any other sex scene in the film industry. Unfortunately, there's very little foreplay involved.
    After the sex scene and the two have redressed, it's obvious that Joe didn't learn the art of tie tying, something that is hard for some men. As a result, it's not put back on, but its absence provides another use of symbolism -- that of virginity loss.

   I do have a copy of the movie on DVD, though there are few things I noted like the fact the sex scene happens at the start, not end, of one chapter, thus making skipping the scene not an option if you don't like missing a few things. I also have found the shooting script for the movie and it contains scenes not included in the movie that the DVD failed to show (not sure if the Blu-Ray has them or not). For example, we have been hearing about this Bontecou deal and a meeting. The script has an actual scene where Bill Parrish meets this mysterious Bontecou and they have a private talk. Considering the talk doesn't include the deal, my guess to why it's not in the movie has something to do with plotting. The script has more depth to Drew in how he has Joe Black researched after the first board meeting and later on shows up to tell Joe he found nothing on him. Drew then shows up at the Parish house without an announcement to bring up the deal, mostly as a last warning before the scene of his dismissal. Parrish considers it threatening and orders him out. Drew leaves, but also has an argument with Susan, during which she ends things with him. Without the scene, we lose many plot points, especially with Susan and Joe falling for each other, because it almost looks like the usual leading lady cheats on S.O. with leading man, but that's okay because her fiance, or boyfriend, is the bad guy of the movie thing going on. There is also a funny scene after the Jamaican woman dies with Joe stopping by a Korean grocery store and getting some peanut butter. He doesn't understand anything of money change, even as the man brings it to him, and says he can't change. If only they kept it in the movie.
    Don't take my word for it, look it up.
   Meet Joe Black was also trimmed up for the airport version once, which was sometimes aired on television in the early Aughts. The trimmed version was disowned by Martin Breast, who placed on Alan Smithee in the credits. It's justified due to the removal of the bargaining and dealing plot, the deletion of the Jamaican woman's death, additional moments between Parrish and his daughters, even the love scene is cut up into a series of kisses with some undressing of Joe for the female gaze. I also consider that a good reason why they don't have it on home video.

   Meet Joe Black is a long movie with funny moments, though the acting does seem to be something you'd see in Twilight (did Robert Pattinson and Kristen Stewart watch this movie before playing their characters?). The movie was modest at the time of its premiere, but most people went to see it only because previews to Star Wars: The Phantom Menace was included. It's one of the few movies that is not fondly remembered today, most likely to be dismissed as another romantic comedy from the 1990s with cheesy dialogue, though Brad Pitt fans would enjoy it.
   One good part is the birthday scene where Bill Parrish offers his wish to the crowds, where he proclaims not on riches or fame, despite everything that has happened, but only for people to have a wonderful life. He had also heard Joe wanting to have Susan with him, but Parrish convinces him that love is more than the three things he said earlier, but also "trust, responsibility, making...decisions and spending the rest of your life living up to them." He knows, as do we, that Susan is only in love with the man whose body Death took, enough to claim Necrophilia on Susan's part, as well as basically the woman only being in love with the identity that the man has just stolen, not the man in possession. Once Joe realizes this, he breaks it off and returns the body back alive for Susan, though it does lead to us wondering how the man will react to being called Joe.
    Best part is how Parrish mends things with Susan and tells her how much he loves her while "What a Wonderful World" plays in the background. Though he won't be dancing with her at her wedding, the dance that follows is the perfect father-daughter dance. I also like the way they use the foot bridge to mark Bill Parrish's exit with Joe, with Susan coming up to see the two men she loved disappear, only for one to reappear. Under normal circumstances, she'd be asking what had he done to her father and call him a murderer, but since it's a movie it's let loose. Something about it makes it feel like the parting farewell of the nineties, if not the whole 20th Century, telling us how things will be okay and we shouldn't have regrets as we enter the new millennium.
  At the time the film came out, we were all like Parrish before he crosses the bridge as the Millennium arrives. After that part, we became like Susan, wondering what will come next and wait for whatever it is to come, to come to us. Certainly makes one wish we could go back in time and see the arrival without all the knowledge of what was to come. Bill Parrish was right in the movie. It is hard to let go.

[1] "Death Takes a Holiday." https://en.wikipedia.org/wiki/Death_Takes_a_Holiday (last modified August 12, 2018). 

Going Twenty: Mulan

   How do you do, 

   At some point, I knew this movie would be included as it's also turning twenty. Mulan is the thirty-sixth in what is now more than fifty Disney movies, coming out in the latter end of the Disney Renaissance. It's plot line is basically a Chinese girl, living in a time not stated, who has troubles fitting in as a girl, which doesn't give her family honor. One day, her country is threatened by invaders from beyond the blue, to which her father answers duty's call to fight, but Mulan decides to fight in his stead due to his illness, even dressing up as a man to do so. This leads to her joining the Chinese Army and fighting the invaders, and becoming a hero.

  That is the summary of the movie. A lot of effort was made in making this movie. I hear they actually had animators go into the Forbidden City in an effort to get the details right. And, despite being a rich farmer's daughter, Mulan is listed among the Disney princesses (for reasons that are hard to explain, other than maybe give Asian American girls someone to relate to, just as Jasmine did that for Arab Americans, Pocahontas for Native Americans). Remarkably, very little of the cast is made of Asians, such as having Pat Morita play the Emperor (expecting him to say "wax on, wax off"?) and Jackie Chan even voiced Shang Li in the Chinese dub. A couple of non-Asian actors are on the cast list. For example, Diamond Osmond does the singing for Shang during the "Make a Man Out of You" number and the late Marni Nixon is heard in "Bring Honor To Us All." Don't forget, African American actor Eddie Murphy plays Mushu the Dragon (since not many people are as funny as Murphy, which is why the German dub had Otto Waalkes voice him). In short, it's not really Chinese, it's a multi-ethnistic film.
  The movie is fun to watch, even if not everything is accurate. For one, the gender roles deal is presented in a childish manner, though one line in the song "Honor to Us All" does bring that up. When we see the army, the whole thing is treated like summer camp meets military school (the soldiers stop a fight at Li's voice and point at Mulan on the ground while saying together, "He started it."). The horrors of war are toned down considerably, even when we witness a destroyed village, while the deaths of characters seem lopsided. Of course, they don't add in a disclaimer that tells the audience that wars are not as fun as the movie presents it, and after going over Saving Private Ryan, you'll agree. The film also downplays Buddhism and Confucianism, while showing the ancestor worship (and even having the ghosts of the ancestors appear in two scenes), just as Aladdin downplayed Islam while featuring flying carpets and genies, Pocahontas reduce shamanism to magic tricks while having a talking tree, or The Hunchback of Notre Dame featuring people praying in church and talking gargoyles without going deep into Christianity. The reduction of religion, yet showing the spiritual side of it in the story is what keeps these movies from becoming secular. These are the tip of the ice berg.

 The film's plot line is based on the exploits of a legendary warrior named Hua Mulan, first mentioned in the Ballad of Mulan, written in the sixth century. The story is the same as the movie, but only in Mulan taking her father's place in the army. The original Mulan lacked the characteristics of the Disney version, largely served in the Chinese army for twelve years without anyone knowing she was a woman until the end. The legend was rewritten some six centuries later as Sui Tang Romance where Mulan meets other girls in the army, and dies at the end through suicide, to avoid being ruled by a foreigner. Rather or not Mulan actually existed is hard to tell and most scholars consider her a legendary as King Arthur is to the British. Apart from these two, the Chinese had a few other works, including plays, on her, with movies being in the recent century.
   In neither tale is there mention of the Huns. To clarify a few things, the Huns were an Asiatic people living in a largely nomadic life on the Steppes. Through a hypothesis by Joseph de Guignes, it was believed the Huns and the Xiongu were the same, although beginning with Otto Maechen-Helfen, historians have challenged this idea. Making it harder to tell if they are related, or the same, or even if they were actually Mongols, is the fact the Hunnish language is no longer spoken in any part of the world, nor did they leave many documents. The West knows of the Huns only as the hoards of horseback riding warriors who nearly conquered the Roman Empire under Attila, though they never actually defeated that said empire. They eventually settled in modern day Hungary, and were later assimilated with the Magyars, four centuries later. As to the Xiongu, they are a little more mysterious, as they settled in modern day Siberia and Mongolia, and did many invasions of China, but were defeated sixty years after Christ was nailed to His to Cross. This would put their invasion long before the time frame of Mulan, practically.
    So while the movie calls them Huns to make it easy on American audiences, but I'll use Xiongu for the sake of accuracy. The Xiongu are not really given much in the movie to go around. They are simply the invading enemy of China (that "other" if you will), just as the Germans in Saving Private Ryan are simply the enemy in a war (and incidentally, the Germans had been mistakenly called Huns as well). Their leader is Shan-Yu, a ruthless chieftain hell bent on challenging the Emperor in superiority. He is very powerful, able to break down doors on his own and chop columns down with his sword; he has heightened senses and the film makers had him have the ability to see through his falcon (kind of like the Beast Master in his movies), though that was reduced for the sake of timing. He does differ from most Disney villains, who usually have motives of their own to be villainous, enough that one could use all the Renaissance Disney villains as symbols of the Seven Deadly Sins. Shan-Yu, on the other hand, is not the standard Disney villain. He's just the leader of an invasion force; he's the country's enemy. Thus, he is perhaps the most simplistic villain in Disney history.
   He and the Xiongu are done in a way to make the audience always see them as invaders and not the old villains to identify with. First, we see them scale the Great Wall without much effort and without regard that the Chinese have a way of alerting the countryside of the breach (thanks to that one guard who lit a beacon, causing all the beacons of Gondor...er, the Great Wall, to be lit as well). A deleted scene shows the Xiongu destroying a village and leaving nothing alive, yet Shan-Yu executes a man who spared a little bird, in turn is killed by his falcon. The reason for its exclusion is perhaps leave out the lone descanting voice and instead we see the aftermath. That is when Shan-Yu finds Imperial scouts and sends them away with a message, before allowing a bowman to kill one of them. We also don't see what happens to the other village, but hearing how he speaks of returning a doll to a girl is enough to raise alarm bells, and we see the aftermath where the village and the Chinese army are wiped out. When we finally see the Xiongu in battle, they are basically fodder for the cannons, without any thought given on their humanity, as opposed to the Chinese.
   On that matter, some elements of the Yellow Peril are used with the Xiongu, something lacking in the Chinese, thankfully. The Xiongu are depicted have demonic faces, speaking in gruff voices, and having eyes like that of cats (Shan-Yu's are almost like that of Darth Sideous from Star Wars, plus the yet to be introduced Darth Maul). Another way the Xiongu are dehumanized is how we don't see any women among them, where the Chinese have women and children, basically following the perceptions of survivors of barbaric raids who only see the men. This can make the kids in the audience think that there are no women or children among the Xiongu (which is an impossibility). That leads to another theme.

  Mulan holds a few feminist themes, which seem to explain the absence of Xiongu women by showing Mulan as the woman in battle with male empowered threats, the patriarchy from within and the rapist other from without. A more radical version would make Mulan a rebel against China's patriarchal society, but is caught between bringing it down on her own or having to protect it because the invaders might not be so generous about her. In short, she's between the rock and the hard place.
   Much of that is toned down because the target audience is children and most of feminism goes over their heads (unless one is named Lisa Simpson). Besides, Mulan is not enlisted to challenge gender roles or promote equality, she just does it because her father is sick and she has no brother around to take up the sword.
   Once in the army, Mulan finds that becoming a man is not what its cracked up to be. She gets to see other men in ways she never thought of seeing them (they are shown picking their noses at one point, and become very rough with one another). As the training goes, she finds it hard and is nearly discharged for it. Of course, she decides to try at the arrow again, getting it that time after much effort. Her determination even inspires the men to perform to their fullest.
   I have heard of how people talk of Rey in the new Star Wars movies, how she is something of a Mary-Sue, and it seems some would want a strong woman to be like that. Mulan does better than Rey in getting support because she is the underdog. She is not good at being a girl, yet can't be a boy either, but is willing to pull through despite the odds. When her identity is discovered, she is nearly killed for it, but Li spares her for saving his life. Then, she goes on to save the Emperor from Shan-Yu. In the end, she is a hero. Basically, it's just like the previous movie, Hercules for girls.
   Identity is one central theme, explored in the song "Reflection". Mulan, as mentioned, doesn't do well as a girl, and she wonders if her reflection shows that. She tries out as a man and fails at that, too. Yet, her identity as a hero is what matters in the end. This, to me, seems better than it being something of a transgender story line. Outside of politics, identity has become a recurring theme in the Disney Renaissance during the 1990s. In 1991, we had the Belle discovering the her prince within the Beast, who also learns who he really is. In 1993, Aladdin seeks to be more than simply a "street rat". In 1994, Simba gets exile and almost forgets his role, until reminded by an old friend. Hercules even has that crisis, before learning he is a demi-god. Even The Nightmare Before Christmas (which is not in the traditional canon) has that where Jack looks for something other than the usual trick-o-treat. They all have plenty of things to happen along the way. Most famous, Simba goes through his movie thinking he killed his father, Mufasa, until Scar reveals the truth in the film's climax. The Beast's temper gets the best of him early, though he learns how to be gentle. And there's Quasimodo who doesn't get the girl in the end. At many times, it seems as though nothing goes right for the heroes. Do they all get their "who am I" conflicts resolves? The Beast becomes human again, Aladdin wins the heart of the princess and a better life, Simba returns to become king, Quasimodo is accepted into society, and Hercules becomes the greatest hero around. The only Disney hero to not get his or her conflict settled at this point is Pocahontas, even though she prevented a war must be separated from her man. This theme continued the following year with Tarzan where a man raised by apes learns his true heritage.
    Mulan is not the only one. Mushu and Cri-Kee the cricket, who basically become the film's answer to C-3PO and R2-D2, have their own. Mushu is demoted from family guardian to simply the gong ringer and he wants the honor of being the guardian beast again. Cri-Kee is believed to be lucky by an old woman, and he seeks that out as well. I always liked this pair, besides being just like our famous droid friends. It is a good story about a girl becoming empowered, but these two are the supporting cast that Disney likes to use in its movies, there to give others someone to relate to. Mushu is even comfortable in his sexuality that pretends to be a mother figure to Mulan in one scene, and acts like an actual mom whose child is going to school for the first time (just replace the sword with a lunch box).
    I also find how Mulan's romance with Li Shang demoted to sub-plot, whereas many Disney films targeted to girls tend to put the romance in center stage. The reason such plots were popular with Snow White, Cinderella, The Little Mermaid, and Beauty and the Beast, is hard to say, but my opinion on it is most girls love romance and want true love, and their fantasies are always about getting that true love, often embodied by a man (though same-sex stories will replace him with another girl), and what better way to embody that than with a prince? Practically the fantasy of getting the perfect male specimen is why the Disney movies with princesses appealed to them for years. Mulan sort of speaks for girls who never like to wear dresses or do anything they deem silly in order to catch a boyfriend. We like to call them tomboys, of course. So, their fantasies are more about finding someone who will treat them as people, as their equal. In the case of Mulan and Li, Mulan considers him an admirable leader while Shang at first thinks of her as a man who admires him. He respects Mulan as a man, but can't figure out what to do when learning she is a woman, which plenty of feminists have ranted about enough that I won't add more to it. In the end, he decides he likes a strong woman on his side and decides to court her. That gets unresolved, but Mulan II makes a plot on that later on. However, that hasn't stopped many from accusing Li Shang of being either sexist or gay (check out this video, skip to 3:44 mark).

   As stated, Mulan is in the later end of the Disney Renaissance. It did modestly in the box office, especially on par with its predecessors, while dwarfed by The Lion King, and passed by Tarzan in 1999. The box office performance suggests that by this time the novelty of it was wearing out as Disney seemed unable to recapture the success it made with The Little Mermaid, Beauty and the Beast, and The Lion King. After Tarzan, the Disney movies began the process of a kind of slump with lesser quality films, until 2008 with the premiere of Bolt and a recent resurgence of Disney fandom. In the same process, Mulan has developed a cult following more so than the two male dominated movies it is sandwiched by. One evidence of that is how it's being aired on television frequently and Disney is even making a live action remake to come out in 2020. According to the wikipedia, article at the present, they are trying hard not to whitewash the story which is why the cast is now a solid cast of Asian actors, largely Chinese, Korean, or Japanese. As I write, they are already shooting this remake. 

That 70s Review and Commentary Part 4

   How do you do, 

   Well, we reach the last two seasons, arguably the worst in the show. Basically, it's at this point the show jumps the shark. 

  In Season Seven, the fallout of Eric jilting Donna happens. Eric decides to take a year off, postponing college in the process. Donna dyes her hair blonde and becomes a more dedicated feminist. Midge returns and fights Pam for Bob. Pam eventually departs from the show and Midge follows after supposedly getting back with Bob, leaving him alone again. It's revealed that Hyde has another father and he is black. The revelation also reveals a sister, whom Kelso hits on and gets into a relationship with. Hyde and Jackie reach a breaking point, though Kelso doesn't sweep in to take her now. Jackie then graduates from high school and does many things, like setting up her own television show. Eric ravishes in being on vacation until he sees a thirty-something year old man living with his mom and decides to buck up. He then goes out and runs into Leo at a truck stop. He then decides for college, gets the credits for it, and then gets a job to get the money, which meant leaving for Africa. At first, there is some opposition, but in the end Eric goes to Africa and bids a farewell to Point Place. Jackie also moves out to Chicago while Fez moves out of his foster parents' house for a new spot. When Hyde finds her with Kelso, he disappears. Before Eric leaves, he and the other boys are finally caught red handed by Red with their drug habits. The last few episodes also introduce Charlie who is implied to be Eric's replacement, until he is killed off by falling from the water tower in Season Eight's opener.
    The final season has the fall out of the drug busting and Kitty sampling it. Hyde returned married to a stripper, Fez moves into an apartment with Jackie, and Kelso is taken off the force and moves away. The gang is thus missing two members until Randy is introduced. Eric breaks up with Donna in a letter and it seems she is set up with Randy, until memories make them break. Jackie also sets sights on Fez who goes through many girls, including his crazy ex, while doing a show with Mary Tyler Moore. When she tells him how she feels, he rejects her, but eventually accepts her. Hyde eventually divorces from his wife while Red and Kitty embrace retirement and possibly moving to Florida, the latter axed when they decide to stay. Eric and Kelso return for New Years and all greet the 1980s in the series finale.

    Season Seven could be surmised as "That 70s Watershed Moment in the Series". At the start, it feels like some pressed the proverbial reset button. For example, in "I Got Time On My Side", Eric comes to breakfast and gets chewed out by Red who demands to know what he is going to do with his life. Red then forces him to come up with a plan or starve. When Eric was still a minor, the action would be considered abusive, but since Eric is now of legal age it's hard to list it as child abuse (more like cruelty). In the end, Eric decides out his plan: he is going to take a year off and his departure won't be anytime soon. At least, he earned his supper that time, unless Red is going to get more crazy and say it's not good enough.
   That episode alone shows the reset button. Once more Red is disrespectful of Eric (then again, he ran out on Donna at the altar) and Eric is suddenly a high schooler again. He moons a cranky old man, he vandalizes a muffler shop that Red later buys (I don't find the word "muff" funny either), and he makes out with Donna in a feminist rally called "Take Back the Night", during which a misunderstanding leads to a riot. I am aware that there are plenty of cases where people ignore the word no, but the scene is thought provoking: how many cases of abuses were just misunderstands? Or what of rapes? Well, one thing that is never shown is Donna standing up for Eric when the other girls turned on him. In the "Take Back the Night" there wasn't any other discussions: not one person suggested that women bring a dog or a friend with them when going out in the park, thereby prompting Donna to explain that no woman should have to do either one when out in the park.
   Besides Eric, the teens hardly seem mature in this season. Donna does get passionate with feminism after dying her hair, as if there is something connected to the blonde hair with it. There are some times that her stances are justified, and easy to challenge, in the season. In "Surprise, Surprise", after Red has taken over the auto shop, Donna finds out calendars are being handed out with half-naked girls in them, which makes her protest. Kitty calls Donna out, as she had pranced about with some skin showing herself (I am sure there are feminists out there who would accuse Kitty of deflecting the issue by going after one's behavior) and when she went in, she attempts to let them know she is Hot Donna, the radio name she got as deejay. Of course, her own father is there. One thing I noted was Bob used the "I'm the adult" card in wanting his perverted fantasies, to which Donna says he won't have her respect. Most dads would have reformed and toss the dirty materials away at that; not Bob, he just claims it's just one more woman not respecting him.
   Hyde gets a job with his father, and he basically lives out what Charles Buckowski wrote of. Even with the job, he is willing to help the other guys in a toy caper, in "Winter", something that makes Jackie wonder if Hyde would grow up out of. Fez also gets a job shampooing women's hair, and some how that keeps all gay jokes to a minimum. Quite frankly, I don't know how those men in the salons pampering the women be gay, unless the whole thing is just for show. Fez's shampooing of women gives a fantasy for nice guys who are friend zoned, particularly when one Danielle, played by Wilmer Valderama's then girlfriend Lindsay Lohan, appears in "Mother's Little Helper" and lays out her feelings of her date to Fez, then dumps her date for him. It turns out, she was going to Kelso, and another love triangle forms. This time, however, Fez gets the girl because she prefers bossy sorts (which throws the plot out the window). As to Kelso, well, all I'll say is if he wasn't very dumb previously he gets even dumber in Season Seven. He also hooks up with Hyde's sister, providing an interracial relationship for the show.
    It's also a season of retconning a few things. For one, Hyde learned his father wasn't his real father and this season is when we are introduced to William Barnett, and he's African American. The retcon on Hyde's origin out of the left field and has no establishment, other than stereotypes. Hyde thinks it's logical that his father would be black because of his hair style and his disdain for the Government (neither of which really means anything: you can have a redneck uncle who also taught you to despise Uncle Sam and most people with the Afro hair style are just imitating the blacks for the sake of fashion). Too bad they didn't do a thorough test on that.
    Besides the obvious, much of the revelation is meant to tackle the racism of the decade, though it misses the point. I mean, it's inconsistent in the show to have a black preacher for marriage councilor in Season Six and have everyone okay with it, yet turn around in Season Seven and have everyone awkward about Hyde's father being black. Not only that, but the show had to make him the cool dad once more and join in with the teens during Circle Time. He also comes in to make Bob insecure when he and Midge talk at Kitty's party, causing a fight that leads to Midge departing from the show for good.
   Hyde's relationship with Jackie replaces Donna and Eric's in this season as the central couple, though they break up when Jackie decides to pretend to be engaged to Fez in a wedding reception, because she wants a wedding. If there is one thing to learn, fellas, when your girlfriend wants something out of the relationship, best have something long term in mind because leaving the girl hanging will upset her. Eventually, she'll think you are wasting everyone's time and will break it off, leaving you feeling like you lost something. That's what Hyde learns in this season when after Jackie's actions, Hyde keeps back while wanting to get back with Jackie, who is wanting an answer on marriage. Near the end, Jackie decides to go to Chicago, after waiting for Hyde to propose to her. He does, going all the way there to do so, but it turns out Kelso went with her. Frustrated, Hyde leaves again.
    If there are few good things to come with Season Seven, its that Eric eventually snaps out of his year off approach, though the episode "You Can't Always Get What you Want" shows how Eric has the freedom for such decisions unlike his father who could only take what could and do things because the world demanded of it. The way he does so is in "On With the Show" where he finds someone with his likes and it turns out he is a thirty year old man who lives with his mom. To me, it's based on expectations of age that came to him, seeing how it's normal for teens to be with their parents, while thirty something adults doing so are oddities (even though the idea of thirty year olds being independent of parents was actually very recent in human history, and at one time was restricted to men of property). My beef with it is if the sight of someone in his thirties living with his parents makes Eric snap out of it and actually grow up, what does that say to other situations? Would it lead to less of the outrage culture, or young people saying how offended they are, or the thing with triggers, and so on, if old people did all those things in sight of the young? It's a controversial thought; we have actors who pretend to be teenagers at age thirty, yet they get paid millions for that. We also YouTube personalities who do the same. In fact, I have seen plenty of men in their thirties on that site and think of how it will be they stay that way in thirty years, or the feminist reviewers if they talk the say way at age seventy as they do at twenty. Rather or not they may behave in that description in then is up to them, but can you image a woman turning away from feminism after seeing a forty year old make videos and blog posts on it? Or a couch potato remaining so after seeing an older man in the same position? Eric's reform implies those scenarios.
   At least he matures. He goes back into trying to get out of his parents' thumb, going into a travel documentary, then tries to find a new job. Eventually, he picks teaching, but has to pass PE because it was incomplete (and how did he graduate again?). He gets that done by doing one chin up. Then to get into college, he takes a job that sends him to Africa. Red is okay with it, but Kitty and Donna are upset. Eventually, they come around and Eric is given his well wish away.
   Before Eric exits, however, he and his friends are caught red handed in the Circle Time by Red, after years of it being hidden and being told of it in Season Three. The yelling that Red and Kitty give is humorous to watch (I mean, Red wishes he had "two thousand feet" so to kick those four each with five hundred of them), and Red can't think of a good punishment for Eric than to send him to Africa, ironically letting his dream come true.

   Season Eight is the worst. First it has a promising start, being that it deals with the aftermath, which involves Kitty getting some of the drugs too. The problem with this, however, it gets dropped by "Somebody To Love". Speaking of dropped, a new character named Charlie was introduced in the last few episodes of Season Seven, originally as the one teenager Red would like, but is later rewritten as another he hates, especially after the incident in the beer storage building. He then is implied to be Eric's replacement when the latter leaves. However, in "Bohemia Rhapsody", he falls off the water tower and dies, whereas Kelso falls off repeatedly and survives. This always bothered me. They should have known the tower was a danger when Kelso and Hyde fell off it and got hurt, yet they took Charlie up there and he got killed. The prank they did that resulted in could be considered murder. Not only that, was the show trying to show that Kelso's feat can't be imitated in real life, because they are eight seasons late on that.
    Kelso also leaves the show, after two episodes. The reason for Eric and Kelso leaving is both Grace and Kutcher wanting to move on to other projects. Grace went on to be Eddie Brock in Spider Man 3 while Kutcher went in the thriller Butterfly Effect before taking on comedy films. Hyde comes back married to a stripper named Samantha, who is only present for a few episodes. Remarkably, Jackie is okay with this. Jackie and Donna are still there, with Jackie joining a television show of Christine St. George, played by the late Mary Tyler Moore (watch for the homage to her namesake show at the end of "Sweet Lady"). The set up is similar to Mary Tyler Moore Show, which went off the air two years before the setting of the episode, though while Mary makes it through seven seasons, Jackie is fired in four episodes.
    Fez also returns, though going into the comic foreign guy who still does shampoo massage for women. He lives in an apartment after his foster parents kick him out (because he is no longer a minor) which is owned by the man who gave Eric the engagement ring, Feltman, shown to be a gay landlord now. On that matter, in an attempt to draw in the Gay community, they had an episode where two homosexual men visit the Foremans. Red doesn't get disturbed at their orientation than he does with their, to use the expression "root for the other team." They are out at the end of the episode, however. Along with Red and Kitty, Bob returns, as does Leo, who returned in Season Seven after being absent, because the actor playing him had troubles with the law.
    A new character comes in, Randy, the guy with long hair. He acts as a combination of Eric and Kelso, even getting a relationship with Donna. However, we all know Randy is just an attempt to garner new ratings with new characters. It happens on television, sometimes it works (like with Law and Order where the best episodes of the series' run feature Detective Lennie Briscoe) and sometimes it doesn't. In the case of That 70s Show, this is the latter. Even Fez feels challenged by him.
    Even the episodes seem strange, especially "Fun It" where the kids steal Fatso the Clown from the Fatso Burgers, which was never shown before but is the mascot of the place and Point Place's landmark. Not only that, these characters are suppose to be college age people, some of them having jobs and living on their own, yet they are willing to hang in the Foreman basement and pull a prank as though they were teens? Again, this could be social expectations talking.
   Two redeeming factors come for Season Eight. One, Jackie eventually realizes she loves Fez, though the latter is willing to see other girls, including his crazy ex, before going to her. I have said plenty on Fez, considering how he had gone from the foreign geek, to cool guy, to creep, to an oblivious object of affection over the course of eight seasons, switching between embodiment of friendzoned guys, other times there to point out racism. All the while, Jackie finally seems to stop being self-centered and goes to someone caring, after dating a narcissist idiot like Kelso or a roguish bad boy like Hyde.
    The other factor is the return of Eric, coming in in "That 70s Finale", along with Kelso, because we all need to see everyone take their last bow. During the season, Eric and Donna have a long distance relationship, yet they have Eric break up with Donna off screen (a clue to it is his quick phone call with Donna vs his prompt calling of his mother). For a time, Donna is with Randy, until the latter reminds her of Eric and she dumps him. Eric returns and we never get to see if Eric and Donna will get back together. In fact, the show ends on midnight of Jan. 1, 1980, where the seventies finally come to an end.
    There was a series called That 80s Show, but it's not really a spin off and has nothing to do with the show. So, we basically end That 70s Show with a great many loose ends and some disappointments.
 
    One vital reason why these two seasons are terrible is because by the time we come Season Seven, the novelty has worn off. It gets worse with Season Eight where it appears the teens are stuck in some kind of time warp that keeps them from aging. By the show's time period, they should all be in college right now, yet they are still at home like they were kids.
    I find it interesting how the show was steeped in pop culture of the decade, yet the last two seasons didn't mention anyone seeing Close Encounters With a Third Kind or Alien. The Recession was dealt with in the early seasons, but I wonder why we heard nothing about the upcoming 1980 election or the Iranian Hostage Crisis, or the Camp David Peace Accord? For Eric being such a Star Wars buff, we don't hear his opinion on the Holiday Special, and we are not going to see his reaction to The Empire Strikes Back's great revelation (I can imagine him freaking out over it). I also believe now that the show's beginning in the middle of the decade instead of the start was what messed everything up, because it would have been useful to see how Nixon's resignation affected everyone, rather than have it be remarked on. Hopefully, that will be something that this new show about the seventies, The Kids Are Alright will avoid when it comes out.
    I am thinking about making some blog entries on that when it comes out, though I make it a policy to not review television shows that currently airing. I'll mostly be commenting on one episode that deserves it and it might be finished sometime in late fall, if not in winter. Not only that, there is no telling, even if the show does seem to have potential, but they could always cancel it after a few episodes. The eight seasons of That 70s Show that are out there now has the comic side of the second half of the story, yet the real story of the seventies is yet to be told.
   As to the possibility of reboots, I certainly hope not. We have other decades to tell stories on when it comes to shows, so we can let the seventies rest in peace on that. But, if they were to revisit Point Place, my recommendation is either set up a prequel series showing how everything we see in "That 70s Pilot" came to be, or create a spin off show where we see how the gang is doing now that they are Red and Kitty's age and living in a world of the internet, safe spaces, and Dreamers. They could call it "That 70s Generation" if they'd like. But, for the most part, given how prequel series and reboots don't have the same flavor as the original one, and lately it seems most people are using them as megaphone for political agendas, I don't recommend they remake That 70s Show.
  Quite frankly, I hope they don't because I don't want to make a review and commentary of that either. 

That 70s Review and Commentary Part 3

 How do you do,

  The television shows we see echo that of the old serials in the use of the cliff hanger. In the theater, people waited a year or more to find out what happened to Andy Hardy or the Little Rascals. On television, we usually have to wait for months before a new season commences and we find out how things are going. Same with That 70s Show where after a summer of waiting, we finally get to see what happens to the gang. 

  Season Five begins with Donna and Kelso in California while Eric is moping about in Point Place, until he learns of her call. He then goes all the way to California to be with her and they reunite like the previous season never happened. They head home to face angry parents. Red takes away the vista cruiser and Bob sets Donna up in a Catholic school. Jackie has moved on from Kelso for good by moving on to Hyde, who grew a beard at some point. Kelso and Hyde go into a war over Jackie, which is briefly interrupted when the former's girlfriend from California, played by Jessica Simpson, arrives and Jackie becomes territorial. One day, Kitty announces she has started menopause, which makes her feel old, while her parents come into town. The problems with it are made manifest when the gang visits a college. Kitty's father dies and she deals with her cold mother while Simpson leaves with the knowledge that Jackie and Kelso are still into each other, yet Jackie stays with Hyde for the rest. Eric proposes to Donna and everyone soon finds out. Red puts the hardest of oppositions to their marriage by firing Eric and using his college money for personal projects (also fining him for being out of line), leading to Eric to hire himself into Bob's girlfriend's job. Fez finally gets a girlfriend in Nina, to whom he loses his virginity to, before she dumps him for his neediness. One day, it's revealed his green card was expiring and he has to go home after graduating. The teens gather at a camp and miss graduation, after which Laurie marries Fez so he could stay, which is more than what Red's heart can bear.
   Season Six then follows with Red recovering from his heart attack while Eric puts his moving out  on hold to help out around the house and as well as his marriage plans. Kelso claims to have "done it" with a girl at a concert, who later reviews to be pregnant with his child. Kelso decides to become a cop, leading to a variety of jokes involved. Fez gets his citizenship official and apparently leaves Laurie, who gets a new actress in this season and is written out. He and Kelso become corners of a love triangle with another cop at one point. Jackie's father goes to jail for fraud and she moves in with Donna. All is fair until her mom returns. Her welcome from the guys is warm, but not the girls. Donna and Eric are also caught having sex and Donna decides to hold it for marriage, leading to some strain, that both admit they can't handle abstinence. Eventually, they both begin to doubt their marriage and wonder if they could go through with it. The season ends with Eric running off and leaving Donna at the altar.

   Seasons five and six mark the high water mark of That 70s Show, having some of the best and worst episodes of the series' run. It's the turning point for the show as the gang now must transcend from childhood to adulthood, though teen rebellion is shown to not really be conquered at this point. There is one thing to point out before we go too deep.
  Shortly after Season Four premiered, the 9/11 attacks happened. The buildings made in the Seventies, the World Trade Center, were destroyed on that day, which, perhaps, may have some affects to the show, but I can't find any production notes to cite. One thing I noted is how it took in the post-9/11 hysteria and translated it in the Seventies lens in the premiere of Season Five. When Red is asking where Eric is, Hyde goes into a ramble about how one day the US government will create tracking devices that would be placed into our bodies, leading to this exchange:

   Hyde: Damn US Government.
   Red: 'Damn US Government'? Without our government, you'd be stuck in Siberia right now, sucking the juice from a rotten Commie potato. And if the US Government decides to stick a tracking device up your ass, you say "thank you and God bless America." ["Going to California" 2002.]

   It's meant to be something of a joke to rattle those who were waving the Old Glory after the attacks, but over time, as controversies of the PATRIOT Act arose, the hindsight sort of changed among the viewers. No doubt, Hyde would have claimed the attacks were an inside job while Red would deny that, saying it's a Communist lie or the US Government wouldn't kill its own people unless a totalitarian regime had taken over the country, adding that it wouldn't happen because "We the People" would rise up and stop such a regime.
   I mentioned previously how the characters can line up on the political spectrum and it's still true in Season Five. Red is still on the Far Right, becoming increasingly patriotic in the series' run, whereas most of the teens are on the Far Left and seem to show indifference to patriotism, or see the US Government as the bad guy here. However, except for "Love California Style", much of the political commentaries have shifted into the background while the character drama takes center stage, continuing the teen rebellion against adult authority figures.
   The first part of Season Five has that authority coming down on the teens. After Eric, Donna, and Kelso return, Red takes away the keys to the Vista Cruiser, leaving Eric without a set of wheels. Driving the car is a privilege, and Eric lost it in his journey. At least he knew better than to drive it to California, since that would be deemed auto-theft. However, as the season progresses, Red's punishment comes close to abuse. In the Thanksgiving episode, Eric forges Red's signature when he is failing math and tries to hide it, but the truth comes through. Red was just letting Eric sit with the adults, but when the truth comes he sends Eric back to the kiddie table, and then fines thirty dollars. A better way to handle it would be to discuss the matter later and carry on the dinner, but charging a teenager thirty dollars, which ought to be $119.09 in today's money (looking at that, you are likely to have whistled, which proves my point). Most teenagers don't have that much money, as they routinely blow it away on other things. Even though Eric has a job, this fine would have hit him in the budget area since that's practically what he makes in a week. Even the threats of kicking Eric in the rear, designed to be a gag in the show, qualifies as abuse, and Red's only lucky Eric turns eighteen around this time.
    Speaking of time, one thing that bothers me in the show is the year a season is in. First Season was both 1976 and 77, while Seasons two to three are 77 to 78. However, despite Halloween, Thanksgiving, and Christmas episodes in each season, we are still stuck in 1978 in Season Five. And that's not the worst of it. Eric turned seventeen in Season One, and he hadn't aged a year for the past four seasons. In truth, Season Five with its year setting should have had Eric turn twenty-one and be in college by now. At least, Season Five is the season everyone graduates from high school, except for Jackie.
    Back to the way everyone comes on the teens, Bob finally puts his foot down on Donna's behavior in the last season and decides to send Donna to a Catholic school, jokingly called Our Lady of Perpetual Sorrows. As you would expect, the story line is not developed well and exists only to put Donna in the uniform of a Catholic school girl, specifically for fanservice. Not only that, where Donna had been in rebellion all through the past season without Eric's help, Bob is willing to believe that Eric had dirtied her up (apparently not over what happened in "Parents Find Out" or earlier) and his decision to keep them apart is his way of fixing it. This also leads to him and Red arguing on who was the worst. Bob also tries to keep them apart in college in setting Donna up for one school, while Eric has to settle for the university. Ironically, Bob's attempt at separating them only keeps them together all season.
    Eventually, Eric decides that he doesn't want to be separated from Donna and he asks her to marry him. She says yes, but they keep the engagement a secret for many episodes until Kitty goes to a ring store to pick up what turns out to be the engagement ring. Not really the best way to find out. The adults are shocked, as you would expect.
    Not as shocking as Jackie moving onto Hyde when Kelso ran out on her. I have heard of how girls have this "bad boy" phase, and apparently that is what Jackie is having with Kelso gone. However, Kelso goes through great lengths to get Jackie back, none of which work. When Jessica Simpson comes to town, her beauty once more sparks rivalry, leading to the moment when Jackie catches her making out with Kelso and yelling, "Get your hands off my boyfriend!"
   To tell the truth, that is something that has never happened to me, yet; an ex-girlfriend coming along and telling some woman to get off me. If it did happen, I'd be willing to point out to the said ex that we aren't together anymore and she has no right to claim me. I am sure plenty of the male readers (or female, if you're a Lesbian reader) would agree and have done the same thing. Kelso, however, lets it get to his head that Jackie wants him back. So does Hyde. Remarkably, they have the situation resolved in the end with Simpson's character departing from the show for good, while Jackie convinces Hyde she has no lingering feelings for Kelso. It really isn't until near the end that another crisis comes up: Hyde thinks Jackie cheated on him with Kelso, prompting him to cheat on her. It turns out, Kelso was freaked out about a sex dream Fez had that featured him in it, and it's not really homophobia. It's just weird. Hyde confesses, which makes Jackie break up with him and for the first time we see Hyde changed. Earlier, he shaved his beard off and let Jackie sleep in when her father is arrested for fraud. Yet here, nothing seems to work, though when Kelso decides to take advantage of the situation and make a move on Jackie, their rivalry continues, with Kelso falling off the tower again.
   At the end of the season, Jackie is made to chose between the two (becoming Dawson's Creek moved into the seventies), but decides she loves herself in Season Six. I know people tell others to love themselves, but Jackie's takes it up to the eleven, considering how selfish she gets. However, she isn't over Hyde and fantasizes of reconciliations with him, including a Grease themed one. They do reconcile and make another relationship, during which Jackie finally begins to grow from the spoiled princess into a caring girl. Unfortunately, it ends in mid-season, once more, when Hyde shows that he has commitment issues.
    In my experience, there comes a point in the relationship where one or the other member of the couple will want to get married, and it's usually the girl who gets the wedding fever. One sign of them being perfect together is rather or not the guy might take the hint and propose. Of course, since Hyde has seen his dad run off, followed by his mom, and Season Six reveals (surprise, surprise!) Hyde's father was someone else, thus he has no model on which to lean on for getting a stable relationship. Instead, he has only seen love never last. The result of that is Hyde becomes a commitmentphobe because he doesn't want to get hurt after being so so many times. This will be something to return in Season Seven.

   Season Five and Six are about change. For one, Kitty announces she's pregnant in "What is and What Should Never Be", only to find out in "Heartbreaker" that she is starting menopause. For fans of The Golden Girls, Betty White appears here as Kitty's mom. She seems like a nice old lady at first, though she has a bad habit of saying something mean with a smile (something I personally hate) and is pushing to have her way at times with her husband: she would ask him to do something, he says he'll get to it or it's fine; she asks again, and he replies again of either one; then she yells "Bert!"
  Her arrival shows a generational gap between her and her daughter. If one thought Kitty was conservative, her mom actually considers the word "menopause" dirty talk. Later, when Kitty tries to have a woman to woman talk with her about it, Betty claims she didn't have it, and then says that it was not something to talk about, showing her to be from a different time.
    Kitty goes crazy after menopause. She gets very sensitive to criticism (to a point that you can't be honest around her without causing her to get upset), throws a hissy fit at the drop of a hat, and gets jealous when a pretty woman walks in.
    To me, Kitty's menopause was what ruined these two seasons because, for the most part, because of the way it's treated. Women who have menopause are going to be experiencing some vulnerability and need some support, just as they did when they got their first periods (in this case, they have gotten so use to bleeding once a month and worrying about pregnancy during sex that when this happens all that suddenly seems like Paradise Lost) and Kitty is no exception. Instead, most of the guys get awkward about any discussions of the lady parts, even trying to come up with euphemistic names for it, while avoiding Kitty, leaving Red to handle her. The only guy to sit still and listen to her talk is Fez, as shown in "Over the Hills and Far Away", but he has become a creep in this season, which implies the only reason a man would listen to discussions of body parts are creepy sorts. The girls barely give any support, with Jackie too vain and Donna would only go into a feminist rant about it. The one person she turned to for support on the idea that she knows what is happening, her mom, refuses to talk about it. Then she loses her dad, who was willing to be encouraging. All the while, even her own husband would claim it to be worse than the Korean Conflict. In short, something either mock or cringe at (and yet the show is okay with talks of sex and teenagers having sex?).
   It gets worse in Season Six. Jackie's mom, Pam, returns late in the season, though they have transformed the character. Now played by Brooke Shields, Pam Burkhart is a knock out who gets the guys delighted, since she apparently now eye candy for the male gaze. This a far cry from "The Keg" where she appeared as a realtor and more professional looking. But this transformation was apparently something for the male teens in the audience, who are encouraged by the show to drool over her just as teenage boys are suppose to over older women. Not only does that affect the guys, but also the older men, Red and Bob, and Kitty gets very territorial with Red whenever a mention of Pam comes up. Once more, the menopause shows up with the implication that women are good when beautiful and fertile, and once they reach the point of becoming barren and old, they must be traded in for a superior model. While Bob quickly goes along (kinda had to since he and Joanna split a couple of episodes back) while Red tries to convince Kitty that he has no feelings for Pam. In the season finale of Season Five, Red has a heart attack, from which he recovers quickly (lets see, the dad has a heart attack while the mom goes into menopause; was this show trying to imitate 7th Heaven?). However, it's only in "Man With Money", just sixteen episodes in, that he is given a heart monitor, which goes off supposedly when Pam is around and Kitty thinks that is a sign of arousal to the former. In the end, it turns out Bob annoys him and makes his rate go up, which explained the monitor beeping, and showing that Kitty was jealous over nothing. She also took offense to the implication of the doctor that she would be the source of stress during an examination, until he tells her Eric was the cause.
   Kitty's menopause is not the only change. Season Five is when the gang finally reach the time  when they graduate from high school. In "Over the Hills and Far Away", Kitty and Red take the boys to the University of Wisconsin in Madison, introducing them to college life, or what one expects from it. Just why we never see a scene where the boys learn how different the course work in college is from high school is beyond me. In "Celebration Day", the teens are on the eve of graduation, though they decide to spend their last night in high school out camping. The comedy of errors happen that prevents them from attending, but they still get their diplomas. Well, all except Jackie, who has only one more year. So, with the other five graduated from high school we can see them all going to college.
    No, it turns out Fez's time in the US is cut short in "Immigrant Song" and Donna is the only one who talks of leaving town. Eric plans to go with her in their engagement, which upsets their parents. Red still doesn't think Eric is man enough to get married while Kitty sees Eric as her baby, while Bob thinks Donna can do better. In Season Six, when Donna is moving away, Eric tries to consul Bob, who reminds him of how he "dirtied her up and made her have to go to a Catholic school." The one support comes from, of all places, Laurie, who shows up in the final episodes as a reformed woman, though no one seems to buy it.
    Red's heart attack is another change, as it signals the man we see as one tough guy is mortal and thus will die at some point. There was one earlier episode where Red almost gets hit by a branch, leading him to have a vision of his funeral where no one shows up. So, he reforms and starts being nice around everyone. However, this gives him the vision of not getting any peace, even in death. The early seasons also had a case of Red's health brought up and Kitty putting him on a diet, which further shows an out of date concept of masculinity being that real men don't eat healthy food. In Season Six, we get "Join Together" when this diet is brought up again, and this time Red can't have any beer. He reacts to that by faking another heart attack to get Kitty to change her mind, but she doesn't buy it. All the while, Red becomes child like in not being able to do and have the things he use to take. At least, he gets to have sex again in "The Magic Bus."
    Eric rises to the occasion to be the man of the house while his father recovers, giving up college for a time in the process, which does mean Donna and he will be apart for awhile. However, in a strange plot twist, Donna returns in the same episode as she left. In "The Magic Bus", Eric turns eighteen, at last, and expects the party he always gets (as opposed to his seventeenth where he finds the birthday parties embarrassing). Instead, Kitty doesn't set up a party and Eric's birthday is treated as second to his parents getting intimate. Here, Eric learns that with adulthood some of the things we use to consider cantankerous and odious suddenly is longed for because we don't get it anymore.
   Other changes include Kelso getting a woman pregnant and joining the police force to get the money to raise his child. At the same time, Fez's marriage to Laurie ends when the latter, who is played by a different actress, disappears and he becomes a US citizen. "A Legal Matter" has him being given some facts about the US, which I'll mention a few things. When Donna mentions that the Statue of Liberty was a gift to the US from the French, Kitty claims to have not known that (then tries to use cooking skills as a way to feel equal, if not superior, to Donna). Then, when Donna tells Fez the basis of the Vietnam War, Red pulls Fez from her and then says "it was a tie" and that the Vietnamese were happy for American involvement. The implication from it is the older generation knows nothing about America and if it did it's only the politically incorrect myths, the Anglocentric version, etc. This episode aired almost a year after we went into Iraq, which many liked to claim was the new Vietnam, which suggests to me the episode was meant to satire the war there. Red sits Fez down and has him recite a bunch of nonsense that would make a right wing talk show host proud, all the while struggling to get Fez to say "America." I personally think Fez's mispronouncing of America seems a little racist since plenty of people from Latin America and the Caribbean learn how to pronounce it properly (just caked by their accents), and I have never heard of anyone say "A-may-dee-ka."
    Fez and Kelso also form two ends of a love triangle in two episodes, "Sally Simpson" and "Won't Be Fooled Again", where Officer Suzy, played by Alyson Hennigan, appears. Fez gets a crush on her, while Suzy is smitted with Kelso, who sees her as a guy (prompting feminists to roll eyes at how the only way a man would avoid objectifying a woman is to treat her as one of the guys, as evidenced at his continued staring at Donna's chest). The miscue forms the comedy and the two men almost don't speak to one another. Suzy tries to get them to settle their differences, but it only works when she walks out on the both of them, thus removing any reason to fight. This I often question because Donna and Jackie never have a guy to fight over and they never settle their differences.
   One thing I must bring up is how Kelso gets progressively dumber with each passing season. I mean, what next? Is someone going to mention of him humping something for some strange reason (like a dog on someone's leg)? He is pretty much an idiot in the earlier seasons, especially when they talk of him lighting a bag full of feces and then stomping it out, leading to Leo to call him "crappy shoes" (hashtag punchline rimshot), as well as him starting a fire in Jackie's house. In Season Six, he really gets dumb. He actually believes he is a stooge; he takes the car he was suppose to watch out for a joy ride, which when stolen he wants to call the cops before seeing his badge. Then there is his firing a flare gun and thinking he could put out the fire with another flare (and he was waving a flare gun around while under the influence). The last part won't seem funny after you get this commercial. Kelso also grows a mustache to fit in with the cops, during which he makes a transformation and leave the drug habits of the circle. This results in Hyde and Fez altering it in his sleep, and the next morning, Kelso looks like Hitler and has to be shown it (at least he sees it as a "good burn", how did he not see it when getting ready that morning?). Topping it all is how he thinks having sex standing up determines the sex of the baby he has spawned.

   The final change to complete is Eric and Donna heading to marriage. Through Season Six, they pull it through, and there is even one point that Bob begins to come around while Red appears to be sabotaging the marriage with taking away money and job. At one point, back in Season Five's "Battle of Evermore", when Red asks why Eric didn't do anything about the hubcaps, he says, "You took away my keys so I can't drive. You took away my job so I can't afford a new hubcap. You took away my self-esteem so I have no pride in my job or my possessions." Even when Eric takes on adulthood, there is still no respect. Eric tries out the household chores with Red watching, with two reactions. One, Eric takes delight in having Red be the one to hold the flashlight for a change, and two, Red never thinking Eric's skills are good enough. "Young Man Blues" has him fixing a lawn mower and testing it out, and it works. However, Red doesn't believe him.
    Kitty, on the other hand, eventually comes around, though not before making a big deal out of it. That thing of her needing something to take care of leads to Red getting her a dog name Shotzi (and a fish in an earlier episode), though the dog disappears for a while. When Donna has her bachelorette party, we get more of Kitty's rivalry with Donna over generations where she said hers was when she had her first sip off wine. Donna and Jackie, however, bring Kitty to a strip club to show that this is suppose to be Donna's last wild night (which makes me point out the hypocrisy in the male gaze philosophy, where the complaints of women being objectified are done by the sex industry, yet the feminist Donna is willing to oogle a bunch of men stripping without raising a fuss. I mean, male strippers are as human as their female counterparts, and suffer the same abuses and standardization as well).
     However, the one thing to undo it is what is considered normal, the pre-wedding jitters. I have yet to meet anyone who never got those, not any of my friends seemed to have had them. Donna and Eric get them and it leads to them thinking of bailing. In the end, it's Eric who bails while Donna shows up at the wedding. This after a season of build up to the day with opposition from parents and some problems within. In "Baby Don't Do It", Donna uses the pregnancy scare and marriage counseling to decide to abstain from sex, and like a typical television male Eric gets upset because in the television world men are suppose to be eager for sex. Eric doesn't last long, especially when Pam comes in and gets him horny. Finally, in "Happy Jack", Eric is caught masturbating in the bathroom by Donna and he claims his needs have risen to Fez's levels. In the end, Donna also inadvertently admits that she can't hold back either, and she also indulges in the solitary act.
    Eric also sees Donna's dress and winds up ruining it. Fortunately, Donna has a back up. Yet, these are nothing to compared to the jitters. When Eric leaves, it's one great disappointment, but at least Midge returns. The season finale "The Seeker", Donna and Eric finally meet again and they agree they aren't ready for marriage.

  Despite the flaws, there are a few good things in these two seasons, particularly as the changes transform the place. For once we are in 1979 and the teens are allowed to grow up and graduate. Unfortunately, as I mentioned, these two seasons are the high water mark of the series. In the next part, we come to both the watershed season and the worst season. 

That 70s Review and Commentary Part 2.

   How do you do. 

[This was delayed the couple of weeks with distractions, and it's come out longer than intended. Fair warning.]

   When That 70s Show came on the scene, it practically caught everyone's attention with its pop references to the decade that people were nostalgic over while poking fun at the said nostalgia. It made Topher Grace, Ashton Kutcher, and Mila Kunis famous when it came out, which sometimes proved a bad thing for the supporting cast. As the world entered the Millennium, Season Two wrapped up with Hyde taking the fall when Jackie's stash was found by the police, resulting in a cliffhanger where we wonder how long will he be in the Forman residence. 

   Season Three kicks off with Red Forman angry at Hyde, later Eric, for the stash he was arrested for and grounds everyone on the premise. Eventually, he calms down. Hyde later meets his father and the two attempt to mend bridges, though "Cats In the Cradle" is never referenced (and that's a song from the seventies). Kelso and Jackie are still estranged, even having the former charge the latter for damage to his van in one episode. Fez and Jackie have some chemistry, but Fez eventually goes to a girl named Caroline. The relationship shows some potential, until it's revealed that Caroline is crazy and practically stalks Fez until he breaks up with her and tries to use Donna as a shield. While that happens, Jackie reconnects with Kelso and the two manage to stick long in the season. The same is not said for Donna and Eric, who deal with some struggle with conflicting future plans that end with their break up.
   The breakup puts Eric in a depression, as does Donna, and they set up a loyalty war over their friends in the Fourth Season, that lasts a few episode. The awkwardness is broken only when Midge leaves Bob and Eric's form of comfort is sex. Donna regrets it and keeps Eric away. Fez moves on from Caroline to Big Rhonda for a couple of episodes until they break up from bad advice. Jackie is cut off by her father over her relationship and takes up a job as a cheese seller, which eventually leads to problems in the relationship with her boyfriend and another break up. Eric gets paired with two girls on a few occasions, with Donna becoming jealous at each, until she meets Casey Kelso and the two date a while. The relationship makes Eric jealous, while Donna goes into a downward spiral. The others, including her father, who goes into dating a woman named Joanna, try to talk to her while Casey decides to call it off, leaving Eric and Donna free to reunite. Eric rejects her, causing Donna to run off with Kelso, who manages to patch things up with Jackie again and this time the last wants more than a relationship, to California. Red is manager at Price Market, with Eric working under him, which holds well into 1978 while Kitty begins to spend time at home. Laurie also leaves for college and is out for most of the season.

    When we first see the characters back in Season One and Two, they didn't get much fleshing out. With the teens, it was easy to know who was who: Eric is the every man of a teen seeking to prove himself a man, Donna was the girl next door, Jackie is the spoiled rich girl, Hyde is the rebel, Fez is the token minority, and Kelso is something of a Jack of all Trades in tropes, being the jock who doesn't do much sports, and is bad at wrestling; the loyal sidekick who is very vain and narcissist; is a ladies man, who loses out on two girls. Even the grown ups are standard in characterization with Red the conservative, All American, man's man who frets about his son not into manly things, Kitty something of a smothering mom who prefers to keep her boy as a baby, and Bob and Midge are the weird neighbors.
    Usually, in Season Two, the characters would be fleshed out, and they are. They become fleshed out even more in Season Three. When Hyde sees his father again, there is a point where it seems he won't make amends. I will say that Hyde does distract from the show in Season Two where, after seeing his parents bail, he becomes an orphan in need, but he refuses to call for help. When his father returns, it suddenly becomes a popularity contest in "Hyde's Christmas Rager", where Bud Hyde has to learn how it is to be a father. One problem that comes up is how this subplot is abandoned after a while and then it's retconned in Season Six, but I'll get to that on a later date.
    Speaking of dates, Fez actually gets a girlfriend after being something of the lonely guy in Season Three, and the first one he meets likes him well. In "Dine and Dash", Fez learns that sometimes romance has to be turned off, like in a place where the girlfriend works (believe me, it does get hard to keep professional at times) and is offended by it. However, his girlfriend, Caroline, makes up for it by the end of the episode. Ironically, Caroline is shown to be obsessed with Fez more so than any girlfriend would, basically inverting some fantastic scenario where a girl desperate for a boyfriend winds up having one who basically stalks her. Fez eventually wises up and dumps Caroline, but he uses Donna to shield him from her for a time in "Fez Dates Donna." Caroline then gives up (like most TV girlfriends) but the not so funny thing is people get hurt when stalking happens, if not killed, and crazy ex-girlfriends get quite a bad rap for that. Luckily for Donna that Caroline doesn't go sneaking into her room and threaten her with harm. If anything, Caroline would be back.
    As to Eric and Donna, they become the center piece couple for the run of Season Three, to the point of people mocking them as an old married couple for it. Yet, the relationship dances on pins and needles from "Holy Craps" on where Eric encounters a grouchy old man who warns him the dangers of marrying a high school sweetheart, something most people today take to heart. However, Eric chooses to stick it through.
     What is really shown is how they see the future differently. In "Baby Fever", Donna has published a story in the paper and shows it to Eric, yet he goes gah gah over the way she handles a baby. Donna did work hard on that paper and she really took pride in it. To have it dismissed as second to being able to handle something as mundane as changing diapers is offensive, and I can hear today's feminists cranking up their own interpretations about it. Not only that, when they talk about the future, Eric imagines the house set up he grew up with (him coming home to find her with their kids), to which Donna changes to have herself come home from work while Eric stays at home. Yet, the horny deviant (read, teenage boy) in Eric uses that into a sex fantasy. Donna does it better by making his fantasy backfired on him and tells him to "get bent."
     We can excuse Eric in this instance. Unlike myself or others, he never got to know that women can be breadwinners and dads can stay at home with the kids, and nothing shameful can be said about it. Eric was a boy in the Sixties, when women still stayed at home while men brought home the bacon. However, everything else can't be excused. His turning Donna's "equality based" fantasy into an erotic one is degrading.
   Donna is not the innocent party in the underlying troubles of the couple, however. In "Eric's Panties", she freaks out at seeing a pair of panties in the Vista Cruiser, going so far as to come off as the jealous type when looking for answers, which drives off Eric's study partner. Of course, it turns out they were her mom's and her mom was with her dad in the car. In "Backstage Pass", Donna ditches Eric to interview Ted Nugent, and without even apologizing for it. Finally, in "Promise Ring", when Eric buys the said ring, Donna has troubles wearing it. Eventually, she tells him that she doesn't see her future with him, prompting Eric to break up with her.
    In weighing it out, Eric is the worst brat of the two; he disregards her passions, he objectifies her, he forgets his mom's birthday, he keeps porn magazines under his bed, he groans in doing something to make women happy, yet expects free sex, and he reads her diary (a violation of her privacy). Donna, meanwhile, gets jealous real easily, gets mean often, and rejects a promise ring that Eric had put his heart in to buy (nothing worse than spending time and money to buy something for your woman than to hear someone not think it special).
    So, we get that Donna and Eric have been put on a pedestal in Season Three and wonder if they are still in Season Four. Apparently so, because the season is all about how their break up upsets everything and they should be brought back together.
   As a foil to Eric and Donna (could we say Ericonna, or something?), Jackie and Kelso start out broke up in Season Three, as Jackie has her sights on Hyde, because he took the heat when she was caught holding a bag of drugs. Of course, Hyde doesn't return the affections while Kelso vies for Jackie again (even acting like a jerk in "Roller Disco" when she takes Fez out to dance with her). It really isn't until "Jackie Bags Hyde" that Hyde actually shows he likes Jackie, simply by knocking out her date. Unfortunately, the whole thing is scrapped in "Ice Shack" where its once more Jackie being sought out by Fez and Kelso. Fez demonstrates at being the dogged nice guy where he does good things for Jackie. He goes as her partner in the Roller Disco, where she later gets drunk, yet he doesn't take advantage of her. There is an interesting part with that where Batman subs for the angel while the Riddler plays the Devil in Fez's decision making (a secular interpretation), and Fez goes with Batman, since he's the good guy. Of course, Fez's action is commended, but the stinger throws it away by him getting drunk and asking Jackie to take advantage of him (showing television's double standard). Finally, there's "Ice Shack" where Fez challenges the two couples to the Newlywed game and Kelso proves himself good in remembering things, impressing Jackie. However, he throws that away by crying over his lost van and Jackie sees that as a sign. She turns to Fez for comfort, but Fez makes own variant of Butler's parting line (at least he kept his pride, considering this is another case of a guy does all the nice things for the girl, yet she chooses someone else in the end).
   Kelso attempts to move on, only to not get turned on in a make out session with another girl. He freaks out at experiencing an early onset of impotence, until it turns out it's a sign he still has feelings for Jackie. So, he goes to Jackie again, who decides to test him out in "The Trials of Kelso", but it takes him knowing about it to actually pass them all. First there's the egg to make seem a father figure and then there's the fake illness Jackie brings up to see if he is shallow. Finally, she gets a girl to pretend to come on to him and he rejects her advances. Jackie is satisfied and they stay a couple for the rest of the season.
    How Kelso and Jackie work as opposed to Eric and Donna could be argued that they are the same; both Kelso and Jackie are vain, arrogant, and self-centered. It's these things that made them last and it seems they could mature on it. Kelso has, even if he has to be told in order to do so. If there is a flaw in their relationship, as Season Four shows, it's basically their own problems that are only expressed by cheating on the other, while Kelso can't seem to mature fast enough. Meanwhile, Eric and Donna have disagreements on a few things and practically have a "my way or the highway" sort of approach that ultimately leads to the break up.
    So, in Season Four, Eric and Donna are broken up while Jackie and Kelso are a couple, leaving Hyde and Fez as the only single guys in the group. That is until "Hyde Gets a Girl" where in a party to set Hyde up, Fez meets Big Rhonda, a plus sized blonde with glasses. Here, we see a potential of a new girl in the group, as she begins to hand with Donna and Jackie in a few episodes, while giving plus sized girls someone to look up to. I like how in "Red and Stacy", the other two girls try to give Big Rhonda a make over, only for Fez to accuse them of corrupting her; as if to take a shot at the idea of women changing their appearances for their men would improve their lives. Instead, we have a man who likes her the way she is. Unfortunately, we don't get more of Big Rhonda after "Kelso's Career", as she is written out for some strange reason. During that time, Fez starts to want to lose his virginity to her, only to be rejected. In "Everyone Loves Casey", he takes the advice of Casey Kelso and makes his move, and that results in the break up.
    Kelso and Jackie don't break up in the end, however, but Jackie begins thinking of getting married, while Kelso has something of a commitmentphobia, causing him to runaway to California instead. I personally hated that, since all the build up was made in these seasons to get back together and dealing with underlying issues, and Kelso decides to throw all that away.

    One episode I'll go into detail on is the start of Season Four, "It's a Wonderful Life," an episode that not only uses the title, but also the plot of It's a Wonderful Life, with Eric playing George Bailey and Wayne Knight plays the angel. The episode shows Eric what it would be like if he and Donna never kissed, resulting in a paradox where Hyde and Donna date, get into a relationship, and are married in the 1980s. Meanwhile, Eric's alternate self remains the whimpy boy who caves to Red's anger, a social outcast who joins the chess club, and only loses his virginity to Big Rhonda (even though she is later seen telling Fez she is saving for marriage). The paradox also means that when Kelso and Jackie break up, they never make up, but only settle for occasional hook ups while Fez simply becomes a rock star, similar to Michael Jackson.
    The episode is non-canon, mostly, by having Donna act out of character and creating situations that don't add up. As a feminist, Donna's beliefs would clash with that of Hyde's at some point (example, she wouldn't in real life get a tattoo that made her Hyde's property) and the two would part. The future shot that comes in also has Eric making less attempts at proving himself a man, leading him being seen as weak by his parents who get a new boy -- a hyperactive sort who just might have terrics, but Red approves of him anyway -- while Kitty is no longer fretting over his departure and actually hints that he should leave in the wedding of Hyde and Donna. All the while, it's never implied that Fez and Jackie would find each other, nor is the idea of the lack of Eronna causing too much of a paradox. However, in the end, Eric realizes it was better to have loved and lost than to not love at all.
    It touches close because it makes one think of how the past few months would be if he and his ex-girlfriend stayed as friends. Yes, less drama would have come and they'd feel time wasn't wasted for naught (unless it's a one sided crush), but then what would the two people would compensate for it? Remaining ignorant of the wrong buttons to push, never getting to see the other side of the person (like the creative side, if the woman could draw pictures or make jewelry), or being robbed of a good experience with something the two of you are into, or seeing that movie you both went to? And in couples who had sex while dating, I am positive they wouldn't be dealing with guilt of it out of wedlock, while also not knowing how important foreplay is. For people who met the love of their life, imagine if none of that happened. I have friends who are married, and I am sure at least two of them are reading this, and they would say how poor their lives would have been if they didn't make that decision to become more than friends.
    One thing to add is looking at the footage, I can't help but think of how Eighties Kelso as a reporter resembles Will Farrel in Anchorman.

   Another episode in Season Four is titled "That 70s Musical". Fez had tried out ballet during the two season side of the show, largely to meet girls. He does have to put on tights, but he does get the girls, but is disappointed. "They let me touch their thighs, but not their hearts," he tells the others, which is one way of showing how the ballet dancers don't see him as anything but a dance partner. Yet, he does have fantasies of ballet sequences, one something like West Side Story where he and his girls fight off rough guys and dance happily ever after, and the other him in the girls doing what could be considered a mating ritual.
  Now he becomes a singer in a school musical pageant and he invites everyone to see him. Unfortunately, some of the petty dramas delay their arrival, making Fez think they don't care for him. It is humorous watching them break out into musical numbers, like "So Happy Together" or "The Joker" (That song that opens with "Some people call me the space cowboy...") the latter with four of the teens forming a swastika in the middle of the song. In the end, the gang arrives and witnesses Fez singing, even with Red being all grouchy about it.

   Feminism and Masculinity are two things to talk about at this point. That 70s Show brings up the way the decade was where it seemed traditional gender roles were being challenged, especially in wake of what had happened in the past decade. Women's Lib movement had happened which challenged the very concept of gender roles, making it a watershed moment. Before the sixties, it wasn't unheard of for women to stay at home while men went to work. That's just the beginning: in 1958, it was rare to see women in pants. Now we come to 1978 (show's time), we have girls in bell bottom pants, hot pants, and denim pants. Kitty's cooking habits would have been seen as normal, too, and not something from an underlying psychological issue, while the idea of wives leaving their husbands and children would be a sign of being invective prior to the 1960s. Women's Lib, or Second Wave Feminism, had changed the spectrum in the sixties, replacing said roles for the world of sex, drugs, and rock 'n roll, resulting in a sudden need to have masculinity to be defined.
   That 70s Show doesn't provide its own definition, but it does use the older generation's definition of masculinity many times, mostly by setting up a standard and mocking any man who doesn't meet it. Red Forman is treated as the example of the old school masculine man. He doesn't express his emotions, other than anger, hate affections, and puts his energies into manly activities like sports and hunting. This leads to him not having a good relationship with his son, as the latter is seen as "twitchy" in his eye. Even when he does well, Red offers no respect, and in "Love, Wisconsin style", when Eric tells him how Donna came to him and he rejected her because he didn't want to be a rebound, Red asks how is he too proud for her. "You're not an athlete and the only smart about you is your mouth," he says, basically kicking him while he's down. Red's solution to helping Eric over his break up with Donna is giving him chores, also, which never really works. Yes, doing something will get your mind off the break up, but it's a short lived relief and you suddenly have to find another project. Suppose you run out of things to do? Then what? (I know because I had a girlfriend break up with me months ago and even after helping with the wood and doing this blog, the sting is still present). In the end, you're just running away from and denying your scars, which Red seems to think that is what men do. It goes on the concept that men don't ask for help and are not suppose to feel, something that needs to be addressed. (At the same time, Eric's drug habits don't help either; it's like giving someone morphine constantly after touching a hot stove). In "Eric's Stash", Red learns of Eric accusing Hyde of stealing his secret stash and Hyde getting mad about it, and his solution is to have them fight it out; he even adds if they are not mad enough to fight, they aren't really mad. Having the boys fight each other won't make them less angry. If anything, it just encourages violence while giving them more reasons to be mad at each other. The only place I have seen where two men beat each other up and come out laughing about it later is in movies.
   Of the other men, Red likes to think he has plenty of friends, but can't stand the others. Hyde is the only one of the younger men that he sees as a real man, and he is a rebel who violates his house rules with his lifestyle. He sees Kelso as an idiot, which is justified. Fez, of course, is given racists remarks (without using slurs, but sometimes calling him Tarzan). Then there's Bob and Leo, the former he sees as an annoying clutch and the latter as doped up hippie. The one man he does bound with is Pastor Dave, over football, and it results in him deciding to give up preaching. As you would expect, the church gets mad at Red for that, and Red has to convince Pastor Dave not to leave the church. So, you can conclude that Red doesn't have any real friends he can relate to, as he drives people away, while thinking being old means he doesn't have to make new friends. For the most part, Red's all about maintaining his image as an Alpha male, best evidenced in some dinner scenes where when Kitty sits the meal down, Red would grab the first bits, with Kitty following, and Eric getting the last bits, if at all (unlike my father who would let my mother and us eat first). The one time Eric challenges this, Red gets into battle mode with a threat of physical abuse ("a swift kick in the ass", he calls it).
  While Red is not someone to look up to in being a man, there is one example of positive masculinity he attempts to pass on to his son. In "Kitty's Birthday (That's Today?)", Red and Eric forget Kitty's birthday, which is something I wonder if it's possible. I mean, two men forgot the birthday of a woman, who is wife of one and mother of another. I certainly know my mother's birthday, in fact it's so easy to remember: it has something to do with an important event in history. I also know my ex-girlfriend's birthday (the reason I am not typing it down is out of respect for her privacy). Somehow, they forget Kitty's, and she is obviously upset (and as revealed earlier in the show, such as with "The Parents Find Out", Kitty is the only person to make Red run for cover when she gets mad). So, the first thing they try to make her happy is by doing some of her chores, or rather pretend to, as she comes home. However, their smiles aren't fooling anyone and Kitty simply walks by without saying a word. Red then decides for the sake of Kitty's happiness, he and Eric must do something they normally wouldn't do: Square dancing. Neither Red nor Eric like this, but if mom ain't happy no one is happy.
    This is one out of many, of course. Even the guys (and to a lesser extent, the girls) have a standard of being a guy to which those who don't cut out are subject to mockery. The show even does this on numerous occasions, often aiming the mockery gun at Eric. In "Red Sees Red", when we see the boys first trying out drugs, Eric is the only one whose voice has broken yet (and I can't tell if they got a girl to play her or if they just dubbed the guy's vocals). One way the girls have this is "Hyde's Christmas Rager" where Jackie takes Donna to a bar and flirt with firemen who are twice their age, but that's okay because they "can bench a keg, Eric can bench a cup." Translation, forget the whimpy Eric and go with someone with big biceps and a deep voice. In "Class Picture" Eric is also mocked because he gets a pimple every time pictures are made, one of which is placed near an eye to look like a red tear. Red also goes at him for his preference for comics and nerdy things like Star Wars, even referring to his GJ action figures as dolls.
     After Eric and Donna break up, two sides of Eric happen. One is sensitive, especially after Donna publishes her Roman a Chef story, about Wanda and Derek who have a love affair that ends in the fictional Point upon the Place. Eric takes offense to the story, since some of it ruined his reputation over such things that seem trivial to him (killing a cat and looking at porn). In response, Eric writes a counter, though several drafts go back (including one where Wanda is a witch) before publishing. Donna is upset, but reveals hers was in two parts, with the second one stating that Wanda still loved Derek. Another side has no title, but it seems despite what most would think, Eric does well in getting girls into him without Donna. In "Hyde Gets the Girl", he is able to get a dozen to him by being a wounded bird, with one willing to go out with him to make him feel better (if that worked, as opposed to this wanting someone with confidence deal, I am sure guys would be more willing to wear their hearts on their sleeve instead of hiding their feelings). In "Uncomfortable Ball Stuff", Eric and Donna agree they aren't going to the ball on a date, so it shouldn't be a surprise a girl is into Eric, but Donna is shown getting jealous over that and vindictive. He also gets a date with a cheerleader, shown to be airheaded and into his car, though his messing up in parking the car, as well as stealing it, gets him in trouble. Eric even takes pride in being "Point Place's most eligible Viking". The only failures are with Penny, who turns out to be his cousin and teases him out of revenge, and Stacy in "Red and Stacy", a cashier girl in Stock Mart with a crush on Eric's father. In the latter, Eric wonders why she would prefer someone old enough to be her dad, and his friends, Donna included, suggest he is soft ("softer than Liberace in a Playboy mansion", they say), leading to him to have a talk with Red, accusing his tough fathering the reason why he is this way. Red answers to that with crocodile tears, claims he isn't the bad guy by using the "my father would never have done this" argument, while saying he has a creepy girl coming after him now while his wife is thinking of him being unfaithful.
    Side note on that, I like how they are willing to show that girls can be creepy and men can find attention unwelcome from women, especially such an age gap. One could feel sorry for Red in the fact he is creeped out by a girl and feels unwilling to tell Kitty about it because one, he'll seem unfaithful to her, and two, makes him less of a man to feel uncomfortable about attention from girls.
   Not just Eric; but Fez gets mocked for embracing what is today called "metrosexual" fashions (though how cologne wearing qualifies as metro is beyond me). In Season Three, he goes roller disco with Jackie as a partner, almost like someone going with a girl as her dance partner, earning scorn from Kelso. The show goes along and makes Fez weird for doing this. He is also treated to that in joining the ballet, since people think men in ballet are gay. Finally, there's his musical. All the while, Fez is basically embodying the opposite of American masculinity. Not just these seasons, but there is an earlier episode where Kelso, while dating Laurie, comes to the basement and the latter says "there's a twig in my shorts", to which Hyde says, "what a coincidence, so does Kelso." Speaking of Kelso, his quest to win back Jackie is commendable, yet he is later shown to be not ready for marriage and runs off instead of telling Jackie so.
    I am sure Pop Detective would tackle this as he did with The Big Bang Theory, even showing how long "toxic masculinity" has been around. But ideal of masculinity shares the spot light with femininity and feminism. Femininity is illustrated with the two girls, Donna and Jackie (not to be ageist, but I'll stick with the teens). Donna, as you wouldn't believe, is Italian for woman, though I noted they don't use proper Italian phonics with Pinciotti. The name doesn't add much, as Donna is set up as a tomboy and a feminist, who burns for respect as a person and not treated special for being a woman. Opposite her, Jackie, supports the traditional forms of femininity, even going to so far as to demand it from boyfriends, yet she is also shown as to be a spoiled rich girl, implying that women who like guys that hold doors and all are either brainwashed or entitled brats while women who prefer equality are more down to earth.
   One example is with money. Jackie is a rich girl and could get what she wants with her money. However, in "Jackie Says Cheese", it is revealed her father cut her off for dating Kelso, and she has to get a job because beauty is temporary and she'll be poor soon. I like how she learns the value of the dollar in the end, even telling Kelso she won't share her money because it doesn't "grow on trees." Kelso quickly becomes jealous and goes into modeling, much to Jackie's chagrin, because it reveals that women can be competitive, usually when it comes to looks. Currently, most women are valued at how good they look and it has led to women feel the need to be the prettiest in the room. If someone prettier comes along, suddenly it's open season. This last explains why Jackie and Donna are the only girls the gang (with Fez's girlfriends leaving after a break up).
    Another place happened in Season Two. In that episode, "Eric's Stash", Kelso remarks that college is for ugly girls, and Donna replies, "College is for women who don't want to marry the first [sic] idiot they meet and squeeze out his bastard, moronic children." This statement is noteworthy as Donna was born in a time when women going to colleges were seen as obtaining an MRS, making the whole statement ironic, because college girls often wind up marrying the first idiot they meet and squeezing out his children. Of course, in the years since the time period of the series, that perception has faded away and women who go to college for husbands have become a minority while women who don't are the majority. I am sure Donna would have liked the statistics, if she ignored the new perception of college being a place where parties last all weekend and hooking up is the norm, while most of the rhetoric is no longer academic, but based on emotional responses to new facts. At the same time, imagine her reaction to the 2016 election.
   This is where feminism comes in. It's not clearly defined, other than what's known from the period. To Donna, feminism means equal rights, no gender roles, and more opportunities to women like her. One thing of Donna, as seen in thus far, she seems to think that feminism is about going by the rule of "do what thou wilt." To her, doing favors is sexist, as is compromising. To Jackie, feminism is a bunch of manly girls and not worth her time. As to everyone else, where feminism depends on who you ask and the results that follow.
   Midge disappears in Season Four, later revealed to have left Bob for some reason. This is because her actress, Tanya Roberts, took a leave of absence and rather than try to explain around her disappearance, the show chose have her leave Bob, with a hint of it being due to unhappiness (itself suggesting their reconciling and marriage renewal in Season Two to be nothing but hot air). Bob takes Midge's going feminist in Season One like that of a child who had his treats taken away. When Joanna comes, it seems from the start that she will henpeck Bob until the episode, where Bob actually stands up to Red. The non-canon episode implied Eric lacked the confidence to stand up to Red because dating Donna gave it to him. In short, the implication women could turn men into confident fellows, or render them into steers, a trope that basically makes men out to be needy. Then we get the woman, Joanne, who takes over from there. In "Eric's False Alarm", Bob hosts a barbecue with Red and Kitty joining, yet Red is shocked that Joanne is willing to operate the grill, and even gets Kitty to join in, while regulating the chopping of celery into slaw job to the men. Red complains of a woman taking what he believes is a man's job (all but admitting he feels threatened at this) while he finds Bob's standing up to him offensive. In response, he hosts his own barbecue and lets Bob and Joanne be guests, only he winds up burning the meat.
  In short, feminism is shown to be a disruption of the peace in That 70s Show, where happy housewives are corrupted by its messages and it makes them leave home, while making daughters become bad girls, while making everyone confused on how to behave with each other. I'm not a feminist, but even I can see how one-sided the portrayal is, often coming across as misogyny, which is saying something of the seventies that, from many angles, is more sexist than the fifties. When the girls are not a bunch of brats who demand equality, they are eye candy for the guys. Best example is "Hyde Gets the Girl" where dozens of girls shown as airheads come to flirt with Hyde. Then, in "Eric's Cousin", his Cousin Penny comes in largely to accommodate the male gaze factor. In the latter, the girls, especially Donna, don't bother to tell the guys to snap out of that idea and accuse them of objectifying women, and instead see Penny as a hated rival. They even try to get a tan just to make things even. I am sure there are people who will say more of the show where the boys compete over girls and some how go back to friendship if the girl was out of the picture, yet the girls are shown to be fiercely territorial and often at each other's throats over the guys (despite being outnumbered), and only ganging up on outsiders.
    Besides other girls, the female characters even find rivalry in machines: Kelso's van and Red's car. All I will say about that is, which would be better: obsessed with you or obsessed with his car?  At the same time, while female jealousy is shown a bad thing, the male jealousy is shown to be a form of caring and concern, further adding a case of double-standards in the show. When Eric sees Donna with Casey, he gets jealous of her being with the latter, which does make him hypocritical, but his jealousy is shown in a positive thing, confirmed when Casey proves to be of negative influence on Donna. All the while, the show doesn't provide a good model for masculinity while showing to be sexist against women in portrayals.

    Apart from these flaws, seasons three and four have their good times. Citing them all would make this long entry go longer, sadly.